Good Apollo, Still Burning After Twelve Years

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Sunset Boulevard played host for Coheed and Cambria to preform their third album, Good Apollo, I’m Burning Star IV, Volume One: From Fear through the Eyes of Madness, in its entirety at the Hollywood Palladium Saturday night. The concert hall is just one stop on a tour to reinvigorate the passion felt for Coheed’s biggest selling record to date. Released in 2005, Good Apollo, I’m Burning Star IV, Volume One garnered them the most attention for their distinct mix of prog-rock, emo and post-hardcore. The album struck a great balance that dominated the ears of geeky emo kids of last decade, such as yours truly.

Twelve seems like an odd number to celebrate, but given that the band’s previous effort, The Color Before the Sun, was released in 2015, the timing was just unfortunate. Coheed and Cambria were intent on bringing this tour to fruition, regardless if it follows the ten year anniversary trend or not. This album was as significant to them as it was to fans like me, a blog writer with dreams of having an episodic saga of books that are as beloved as front-man Claudio Sanchez’s Amory Wars series. Having attended the ten year anniversary show for In Keeping Secrets of Silent Earth: 3 (missed the Second Stage Turbine Blade show, I was poor), I highly anticipated this performance as both records were significant to me at that age, and these kind of events are for celebrating the impact albums like these have on fans. Part of that celebration is a reflection of where we were when we first heard these albums. I was a bored teen writing poorly articulated album and show reviews on his Myspace blog. Now, its twelve years later and… well, it’s not Myspace anymore, at least.

Joining Coheed and Cambria on this tour is the Dear Hunter, who delivered a solid forty-five minutes of eclectic prog-rock that appropriately charged the crowd of anxious Coheed fans. Were I not so hyped for the main event, I could have gone for way more of The Dear Hunter. However, we could wait no longer.

Recounting the show, a lot of your typical concert annoyances were present, including: Guys over 6’ crowding the front, dudes getting heated over overzealous Moshers, drunk girls dancing sloppily into every asset of your personal space and, the Coup de grace, getting beer split all over me at the beginning of “Ten Speed”. Of all the concerts I’ve been too, you could argue this was one of my worst experiences, but none of that mattered once “Keeping the Blade” started.

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The visual presentation coinciding with the performance was particularly stunning for this evening, as is to be expected with a band like Coheed and Cambria. The image of a skull bleeding blackness from its eye sockets was one of the many reoccurring motifs that created a stark, surreal atmosphere that enhanced the fury that Claudio and crew were unleashing. Hearing tracks like “Welcome Home” and “Apollo I: The Writing Writer” along with this abstract, bleak imagery reminded me of hearing this album for the first time in 2005 and reading the graphic novel a year later (borrowed copy).

The Meta narrative of a writer becoming delusion and clashing with his own characters was a unique perspective that set Good Apollo apart from the narrative of its predecessors, and many other concept albums for that matter. Coupled with its graphic novel, Good Apollo, I’m Burning Star IV, Volume One was something special when it first came out and the energy felt in that ballroom on Saturday night meant that feeling was still there. Through many of their peers of that era have disbanded and moved on to other projects, Coheed and Cambria are still here and poised to remind you of what made them stand out to begin with.

-b. ponce

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BTS of The Rezinators music video “Get Me Down”

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This past Easter Sunday, SoCal hip-hop group The Rezinators announced the release of their new music video and song “Get Me Down.”  I was fortunate enough to be invited to the making of the music video.

The music video was Produced by Apollo V and Directed by Cannanvision. It was a small cast and crew and definitely a group effort. Despite a few hiccups, the production went well. A plus was that no one was hit by a car during the production (see BTS video).  The song itself has kind of a Warren G feel to it. So if you’re a fan of Warren G, you’ll probably be a fan of The Rezinators too. I personally dig this song. Check out the BTS and full music video below.

BTS Photos

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BTS Video

Full “Get Me Down” music video Produced by Apollo V and Directed by Cannanvision

To keep up to date about The Rezinators, please visit their Facebook page at https://www.facebook.com/theRezinators760

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-Mo

Twenty $ Dollar Prophets new music video “Shadows”

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On March 25th 2017, SoCal Urban Reggae band Twenty $ Dollar Prophets hosted an event at Gators in Apple Valley to announced the release of their new music video “Shadows.”

It was a packed venue with Epic! Radio in the house to MC the event. Supporting bands who performed were Dubious Distinction, The Lillies, Muppet Hunters, Dubsiders and The Rezinators. The sounds were a good mixture of Reggae, rock and rap. Patrons danced, mingled and chilled as they sipped their drinks while one of high desert’s favorite bartenders, Skylar, served up the drinks. It was a puff of a good time.

Here’s a video clip from that night:

The “Shadows” music video is a contrast between night and day.  The daytime and exterior of a building appears to representing a current, brighter situation, while the dark interior of the building along with the haunting characters appear to represent a haunting past of one that is lurking in the “Shadows.”

Watch the video below and let us know your thoughts!

Like the Twenty $ Dollar Profits Facebook page at https://www.facebook.com/TwentyDollarProphets

And keep updated on what’s happening at Gators Apple Valley at https://www.facebook.com/gators.applevalley

Check out Epic! Radio http://epicradio2.wixsite.com/epic-radio

 

-Mo