For the Benefit of the Victims of Las Vegas: Irie Roots Jam

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The month of October started on a very tragic note as 58 people lost their lives in yet another mass shooting. The Route 91 Harvest Country Music Festivals was, like all other music events, meant to be a night for music lovers to get together and experience a sense of community and bond through music. In the wake of this mass shooting, people are doing everything they can to support and aid the victims. On Saturday, October 7th, Irie Roots Extracts hosted the Irie Roots Jam at Gators 3 in Apple Valley. Originally intended to be a promotion for Irie Roots Extracts’ products as well as a show for reggae lovers and more, the event quickly turned into a charity event in response to the tragic shooting is Las Vegas.

Featuring Fortunate Youth along with local acts The Twenty Dollar Prophets, Dubious Distinction, Dubsiders, Swift Sonorous, Rain Brings WeatherThe Rezinators, and the Muppet Hunters, the show was a great mix of reggae, hip-hop, and hard rock. It was a solid lineup of bands that created a mellow (and smoky) atmosphere that was slightly tainted by the cause it was now promoting. Singer Chris Gonzales of the Twenty Dollar Prophets assured me that once cost were covered, all the proceeds would go to the victims of Las Vegas, “Events cost money to put on and you know, once we surpass our cost, then one hundred percent of the profits is gonna go to the victims of Las Vegas.”

Gonzales felt very somber when talking about the events in Las Vegas. Mass shootings are becoming more common place in the United States (if you look up “mass shooting” on Wikipedia, the U.S. has so many notable mass shootings that they are categorized by years dating back to 1929, the Saint Valentine’s Day Massacre). Needless to say, hearing someone was shot and killed isn’t that far out of the norm as Gonzales pointed out, “People get killed every day in the streets, you know what I mean. You come to the High Desert, man, I could tell you a friend of the friend lost somebody last night.”

His point, however, wasn’t to diminish to tragic event, but to put an emphasis on where it took place and how that affects him as a musician, “it’s not even just this tragedy, but the fact that, you know, that fact that it happened at a music concert hurts me because… it just goes against everything that music symbolizes, which is unity and people coming together for one reason, you know what I mean. They didn’t go there for that, so my heart is out to those families.”

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Josh Jordan of the Muppet Hunters called the whole thing “senseless” as he elaborated the shrewd politics that were becoming involved in the media rhetoric, “the media wants to tag it like they were Trump supporters, but who knows who voted for who in that crowd. They were innocent bystanders there for the love of music… … they came to an awesome concert and might have left scarred for life and that’s just not right.”

Certainly, if you were compare a concertgoer from Route 91 Harvest to one of the individuals that attended the Irie Roots Jam, you might encounter two people with radically different backgrounds, upbringings and political views, but what they have in common is a love for music. Yes, reggae and country music are two very different genres, but none of that mattered on Saturday night. The Irie Roots Jam ceased to be just a concert for fans of reggae and became a charity event to raise money for those who were affected by this tragedy. It also served as a message to anyone who has now developed a fear of public events like this.

“Music events are supposed to be positive and awesome,” Travis of Fortunate Youth said, “Every time I’ve been to an event, it’s like you’re just stoked to go and now it’s like, I was down in my hometown fair, down in Manhattan Beach, walking around with a bunch of- hundreds of people, very close quarters and I was like, ‘woo, you never know like who could be, or what could happen’ or anything like that.”

Fear of public, outdoor events that may turn into a spot for mass shooters was something that, 15 years ago, only the most paranoid would be afraid of, but it’s becoming a very real fear. Travis made sure to emphasize that we shouldn’t be afraid, though, “this is our lifestyle… …it’s sad, I just hope people can really realize that it’s gonna be a lot better to come together than fight each other.”

The profits of the night aren’t the only money that is going to the victims of Las Vegas. Adam, one of the owners of Irie Roots Extracts, stated that he is having his vendors, both local and outside the High Desert, keep track of the sales of their cartridges, “they’re gonna track sales through the month of October and for each cartridge sold, they’re gonna report back to us and we’re gonna donate some of the proceeds from the cartridges as well to the victims of Vegas.”

– b. d. ponce

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Delta Shade by Delta Shade: A REVIEW

EDITORIAL NOTE: I’m losing the score system for a number of reasons. 1. I can’t find a system I’m happy with, 2. Scores are dumb and don’t really provide any kind of meaningful representation towards the quality of music and 3. It seems counter intuitive towards promoting life within the scene. I don’t want to discourage bands with bad scores (these are still developing performers after all) and I don’t want some band’s ego to inflate because they got a high score in some obscure local music blog. This is just my opinion; it means nothing.

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Artist: Delta Shade

Album: Delta Shade

Genre: Blues rock/Psychedelic rock

When I spoke to Chad Buchanan of Delta Shade last month, I learned a lot about the band’s background. Most notably, Chad and Drummer Andy Laich originally started out in punk rock, which is a stark contrast to Delta Shade’s self-titled debut. The shift in direction came with age and that certainly is the case on Delta Shade. The album is a mature throwback to the days of 70’s hard rock, but still maintains its own modern identity.

Right from the gate, “Dark Days” demonstrates the best qualities of Delta Shade. Having been practicing and performing together since the mid-nineties, Buchanan and Laich’s synergy is strong and provides an excellent rhythm section for Travis Prine, whose presence on the album rounds out the dynamic of the trio really well. The overall sound is a very straightforward approach to blues rock, which is refreshing.

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This energy keeps on rolling all through the first half of this album as “War is Over” and “Blue Sky Black” come packed with captivating blues riffs that break into bombastic choruses that really draw in the listener. The band does a really good job building their verses into really tight and powerful choruses. It’s not a mishmash of different elements piled together into one song, everything works well together.

This reaches its peak with “Valley of the Broken Hearted”, which builds on a high energy verse into a chorus that is easily the most fun to sing along on those lonely rides home, when you are absolutely certain no one is watching. I do it even if someone is watching. Dignity is overrated, and this song is one of the album highlights. It’s one of the shorter tracks, which is sensible given how clear the structure of the song is, so the band doesn’t drag it out too long. I like a catchy chorus as much as the next guy, but don’t kill me with it.

The album’s second half is more somber compared to the first half. “Hole in the Wall” still brings the energy we saw in the first half, but “Trouble” and “Call Me” slows the tempo down a little, especially on “Call Me”. It’s a pleasant change of pace that exhibits a wider range for the band. The album finishes strong with “Desire”, which oozes with pain and longing in the way it should, but manages to be powerful, ending the album on a very robust note.

In all, Delta Shade is great debut. It’s a tight record that keeps the listener engaged while also very satisfying to die hard blues rock fanatics. Given the current climate of high production pop music, it’s nice to sit back and chill to some straightforward, well-crafted blues rock.

-b.d. ponce

Buy the album here on bandcamp

Check out Delta Shade’s Facebook.

Check out the video for “Blue Sky Black”.

Kickin’ it at Kennedy’s Pub with Mondo Silicone and Delta Shade

The heat has finally caught up with the desert, making the evening of June 14th a warm Saturday night. Perfect for a pub show and Kennedy’s pub served as an excellent stage for Mondo Silicone and Delta to rip up, despite there not being an actual stage. Hot off their performance at Oddfest, Mondo Silicone and Delta Shade teamed up for a night of some sweet hard rock.

First up for the evening was Mondo Silicone and the group is starting to make some notoriety for themselves with their stellar covers of “Cat Scratch Fever” and “Breaking the Law”, but still busting out originals written in the vein of 70’s and 80’s metal.  “When we were younger, we were very obsessed with classic rock,” said drummer Jonathan Avina, “the image, the music, you know, just the subculture of everything involved, it was just a fantasy world for us. We realized a lot of that is still obtainable while still respecting the world [of classic rock] and, not to get all preachy, but fucking just have good fun.”

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The image of Mondo Silicone is not a gimmick.  It may seem that way with singer Chris Martell donning green fur leggings and ripping off one of his many green shirts during the performance, but what Mondo Silicone has constructed is a band that not only loves the music, but the era of youthful rebellion through hard rock. “We do play covers, you know. Like, I think that’s where we find our identities,” said Martell. “These are our influence and that’s what drove us all together, but together, we made Mondo Silicone.”

“We’re four Peter Pans,” Guitarist Tim Smith added. It was a nice sentiment that I actually wrote down in my notebook. The aspirations of the group seem more set echoing an era lost in time rather than haphazardly covering classic songs. Combined with the youthfulness of the group, it seemed like Mondo Silicone are intent on being the Lost Boys of the Classic Rock era, an idea that Smith immediately put into question, “Wait, where is our Wendy? Do we each get a Wendy, or do we have to share a Wendy?”

Truly hard hitting music journalism, only at Ticket2Ride Music blog.

As for the future, there is a lot on the plate for Mondo Silicone. Bassist Todd Fitzgerald Hines sets his expectations high, “you know, we’ve had the talk where it’s like; this guy said it and it all just kinda resonated. We don’t want to be a one hit wonder kinda deal; we want to be a two hit wonder… Of course we want to have fun, but I mean who’s to say we can’t have our own motion picture, you know.”

I don’t know about the rest of you, but I’m eagerly awaiting This Is Mondo Silicone.

Teaming up with Mondo Silicone is Delta Shade, a band that has been rising up in the scene over the last year with their brand of blues rock, but according to drummer Andy Laich, it didn’t start out that way, “Actually, when we very first started jamming out, they were Green Day cover songs”.

“Oh yeah, yeah,” added singer and bassist Chad Buchanan, “This was in the bedroom, it was never taken anywhere. Yeah, we met in little league, had him over at my house and I learned a couple of Green Day songs [on guitar].” Laich and Buchanan had actually played with the likes of Save Ferris, Backside and Face to Face back in their early career.

“Can I give a shout out to No Direction?” asked Laich.

Buchanan elaborated on the evolution of their sound and deviating away from punk rock, “[It came] with age. I mean, how long are you gonna play a bunch of power chords?”

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The story of Delta Shade begins more than a year ago according to Guitarist Travis Prine, “Yeah, [Chad and Andy] ran an open mic at the Yodeler, me and my brother went to check it out like a little over a year ago, so I went and jammed with them and we really hit it off. Yeah, we just decided to try and make something out of it, writing songs and stuff.”

At the end of the evening, I went around asking the bands what song made them fall in the love with music. Jonathan and Chris of Mondo Silicone shared “TNT” by AC/DC while Todd says “Rocket Queen” by Guns N’ Roses was what did it for him. Tim confessed that “Bringing on the Heartbreak” by Def Leppard was what drove him to want to play guitar.

As for the guys at Delta Shade, Chad sang the chorus for “Here Comes the Rain Again” by The Eurythmics while Andy busted out “Even Flow” by Pearl Jam. Travis, however, took a little time thinking about his answer. “That’s hard, man. I was into so much stuff, young. Like, my first band obsession was Van Halen, so probably Eruption-“

“I thought it was Smash Mouth?” asked Laich.

“OH, I TOTALLY FORGOT, DUDE. SMASH MOUTH! YES! My whole life changed the day I heard “All Star”, man. That’s when I knew; I’m like ‘selling my soul to the devil today for rock n roll.’”

“You can hear it in your playing,” added Buchanan

“Totally. So yeah, probably Van Halen, you know, ‘Eruption’, or something off of Van Halen I. Yeah, Eddie Van Halen, I worshipped him for like many years, mimicked him and stuff.”

“It’s actually Smash Mouth,” Laich asserted.

“Come on, I told you not to bring that up.”

-b.d. ponce

Have a show and/or drink at Kennedy’s Pub Today!

Mondo Silicone’s Facebook

Delta Shade’s Facebook

Check out Delta Shade’s first album!