Tacos and Thrash

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A common misconception about Cinco de Mayo is that its Mexico’s Independence Day. It’s actually the celebration of the Battle of Pueblo, where an outnumbered and outgunned Mexican Army fended off invading French forces on May 5, 1862. I read all about it on my phone (at least I admit to my own ignorance) while I sat in Frogee’s Cocktail Bar on Highway 18 and wondered how Thrasho de Mayo, an event hosted by Blaze featuring some of the sickest hardcore acts from all over the desert, could relate to this. The only conclusions I could draw were fraught with cultural appropriation and Americanization, until finally I had to listen to the voice in the back of my head that screamed, “QUIT OVERTHINKING IT, EAT YOUR TACOS AND ENJOY THE GODDAMN SHOW”.

Our first band of the evening, Dead Rekoning, was a first-rate start to the show. Armed with tracks like the self-titled “Dead Rekoning” (available here on their soundcloud) and “Fire in the Sky”, Dead Rekoning’s blend of punk and metal made for a solid opening to an evening promising to get faster and heavier. I managed to catch up with singer/bassist Anthony G and drummer Danny Vega after the show and reminisced with Vega over a show I saw at a mutual friend’s house back in his Against Faction days, where he was a high school senior at the start of his drumming career and I was a naive sophomore tripping over my own two feet after one beer.

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Left to Right: Danny Vega, Anthony G and Angel G

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Derek McEntire and Anthony G

Next in line were In Decline, a band that bolsters some killer screaming vocals from singer Charlie Warr (Yes, that is his real name) and a great mix of hardcore and metal akin to bands like Cancer Bats and This Is Hell. My only complaint, and the same complaint can apply to Dead Rekoning, was the briefness of the sets. Granted, organizing an event and getting it to run on schedule is no easy feat and when things go smoothly, it should be a good thing, but I really did want to hear more from Dead Rekoning and In Decline. These were two really strong local acts and I can’t wait to see more of them.

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Left to Right: Joe Small, Brennan Mann and Charlie Warr

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Left to Right: David Fajardo, Charlie Warr and Brennan Mann

David Fajardo, drummer of In Decline, stuck around to perform with his other band, Stay Wild. Joined by Nick Riggs and Jehiah Tonnesen, Stay Wild lived up to their namesake, delivering intense hardcore charged with political topics ranging from the current presidential administration to sexual assault (both of which go hand in hand). I caught a few words with Tonneson after the set. The band is getting ready to take off on the 18th of May for a two week west coast tour, which has the boys at Stay Wild anxious. With their new E.P. titled “livelovelearn”, Stay Wild look like their ready to hit those tour dates with the same vigor they brought to Frogee’s stage.

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Left to Right: Nick Riggs, David Fajardo, and Jehiah Tonnesen

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Left to Right: Nick Riggs and Jehiah Tonneson

During Stay Wild’s set, we had a couple of guest vocalists hop on the stage. These were brothers Josh and Danny Mathews of the next group, Cel Damage. Cel Damage was a bit of a departure from the type of hardcore we saw prior in the evening with a more experimental approach. They take on a very Locust-esque approach to songwriting, using a vocal effects pedal to build atmosphere with singer Danny Mathews grunts and screams before breaking it with pure immaculate fury. Not even broken guitar strings could deter this band from playing the set THEY wanted to play.

Now, let me take a minute to tell that I’ve heard a lot of band names over the years. Some pretty cool, some really lame and others just confusing. A band name is important because it’s the first thing you hear when you ask, “Who’s playing?” and a weak name can make or break a band. So, when I heard “Thrashquatch”, I knew right away that was something I had to see. A name like “Thrashquatch” caused me to envision Bigfoot, wearing a Suicidal Tendencies t-shirt, rampaging through a camp site, stepping on tents and knocking over coolers looking for beer. This would be his favorite band.

Of course, with a name like Thrashquatch, the music had better deliver and it did. With influences ranging from Slayer to Municipal Waste, Thrashquatch is music for thrashers by thrashers. Guitarist Jacob Crozier and Gio Trujillo shared the soloing duties, taking turns shredding while Don Barber hyped up the crowd with songs about Yeti’s, booze and moshing. The frantic energy put forth by the band was a perfect capstone to an event such as Thrasho de Mayo.

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Links to the facebooks/bandcamps for all the bands are posted below. If you’re someone starved for some strong local hardcore, I highly recommend each one of these bands.

Blaze (Host)

Dead Rekoning’s Facebook and Soundcloud

In Decline’s Facebook and Bandcamp

Stay Wild’s Facebook and Bandcamp

Cel Damage’s Facebook and Bandcamp

Thrashquatch’s Facebook and Bandcamp

Castle Pines, Adversity, and a Few Sips of Beer

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By Mark Simpson

Castle Pines story starts with four guys in their youth that are trying to figure out their place in a world. Faced with the loss of their home on Castle Pines Parkway, and an estranged relationship with family, the group was formed. Leandro Barriento, lead singer of the group, gives a voice to the adversity the group faced in their youth with my personal favorite track “Derailed”. When asked about the track the group said that:

“Derailed is about the reality of life, the things that happen to us and how we interpret them.”


“Summer Blood”, which was released in the summer of 2014, is a direct reflection of the groups experiences growing up in Southern California in the 90’s and what turned out to be turbulent times for the group. Many of the members experienced some major hardships during those times, like loosing their home to their parents best efforts to fight rising debt. Rather then feeling sorry for themselves and letting the pressures of life take the joy from their world the group found solace in the escape that playing music offers them.
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Through this experience the independent group has done its best to master the art of navigating the “shark tank” known as the music business. Singer Leandro even enrolled in the music program at Cal Poly so that he may better understand the Music business to plan for his future. As a DIY artists the group has plans to release a new album very soon and does many amazing benefit shows including the one that they did for the families of the victims killed in the San Bernardino school shooting in 2015. The group was so effected by what was going on around them that they wrote their song titled “Hollow Cause” which is a play on the word Holocaust, and is according to Leandro is a reflection of:

“ The shooting, the aftermath, the Syrian Crisis, the Civil unrest in the black community in cities around America, they all kind of culminated into this song.”

When asked about their latest album “Bless This House”, and what the groups favorite track was, they gave a really interesting tune called “Moonshine”. The tune features some serious ghosting on the snare by drummer Sterling Fairfeild along with a silky smooth baseline by bassist Jesse Briseno as can be heard below. The group was able to strike some serious “Studio Magic” on the album, as a few tracks were actually written and recorded while in the studio. One track that exemplifies this example is the the easy listening fan favorite song “Black Star Canyon”, which features great tone and a mesmerizing solo from guitarist Ricky Garvey.

As a group, the guys from Corona, California really want to offer their fans their very best and as a result, they rarely get drunk on stage. Its not uncommon to see the band members with their favorite beer on stage, but unlike you and me, they enjoy sipping that beer during their set. This is not to say that you can’t catch your favorite brew with the group after their set, as they seem to be the kind of rock stars that enjoy hanging out with their fans and sharing a brew.

As I finished my interview with Castle Pines, I found that the group was much like a family. Every group has some kind of diversity but, to me the mark of success is how you handle diversity. Castle Pines is one of those groups, that unlike many in our scene, I believe will stand the test of time. As I thanked the group for their time, I asked for their last words for our Ticket2Ride readers and this is what they had to say:

“We are so humbled and blessed to have wonderful people like you that are listening and supporting us after all these years and we are truly thankful . We want to tell all of you reading out there that we are diligently working on a new album for a release this year. Thank you so much and remember #CPporVida”

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Website – http://cpporvida.com

Facebook – https://www.facebook.com/CastlePinesMusic

Spotify – https://play.spotify.com/artist/08g4IM7nKcGPfgyaJ4aBzq?play=true&utm_source=open.spotify.com&utm_medium=open

A Tribute to Cover Bands

Cover bands. Artist dedicated to the careers of others. These are two words that can either illicit feelings of excitement over the potential of hearing a good live performance of “Immigrant Song”, or dread after your co-worker’s third Facebook invitation to see his Insane Clown Posse tribute band. Whenever you see “cover band” on a marquee, you take a gamble and hope for the best. This is the unfortunate stigma for tribute acts, but it doesn’t stop bands like Circle of Black, Crazy Diamond or newcomers Physical Graffiti from throwing a tribute show to the best of the 1970’s at Frogee’s Cocktail on April 21st.

While sitting in the dive bar on Highway 18, I thought about the prospect of cover bands. Most of them are born from boredom, but then most music is for that matter. Cover acts have served as a platform for many bands to preform and discover their own musical identities. Most original music is created from that approach, but many cover bands choose not to go that route. Many prefer the label “tribute” to cover band, as it does creates an important distinction. While many cover bands will reinterpret music in their own way, often with an underlying theme that ties into the persona of the band (think Me First and the Gimme Gimmes), tribute bands preform with little variation, sticking as closely to the original song, and identity of the band, as possible.

The first act of the evening was Crazy Diamond, a tribute to Pink Floyd. Wielding a set-list comprised of well-known songs like “Time”, “Money, and “Comfortably Numb”, the band started the evening off on a more somber note. Given that the two following bands were going to tributes to Led Zeppelin and Black Sabbath, it was safe to assume this was probably the mellowest this evening would get as the crowd stubbornly refused to clap along with the band during a song, but “Another Brick in the Wall Pt. 2” still managed to get the whole bar to sing, “We don’t need no education”. This is the power and influence of Pink Floyd, and the magic that bands like Crazy Diamond try to recreate.

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Following them was our Led Zeppelin tribute band, Physical Graffiti, making their debut. Zeppelin is a fun band to cover musically, but tricky when it comes to vocals. This is mostly due to Robert Plant’s wide range and crisp high-pitch singing, but singer Johnnie Garcia performed admirably, taking on tracks like “Immigrant Song” and “Communication Breakdown” with ease. Another highlight from the set is the band stepping off stage during “Moby Dick”, leaving drummer Ron Davis to channel his inner John Bonham. All of this ended on “Stairway to Heaven”, which I was a little disheartened to hear, not because I don’t like the song, but because I had a great Wayne’s World reference that I can’t use now. Oh well, another time.

Capping off the evening was Circle of Black, a Black Sabbath tribute band that, according to their Facebook, also will hammer out some of Ozzy’s and Dio’s solo work as a way to celebrate not just the music of Black Sabbath, but the careers that started in its wake. Honestly, any excuse to play “Crazy Train” and “Holy Diver” is good enough for me. While we didn’t hear either of those tracks, it was nice to hear the Dio era of Black Sabbath get some appreciation for once.

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Friday was not a night for originality, but for appreciation of an ear of rock now resting fifty years in the past. This year saw Black Sabbath bid farewell to their fans in March, so the prospect of seeing any of this music performed live is going to be through a tribute band. Some purist would look down on that idea, not willing to accept anyone else on the mic except Robert Plant or Ozzy Osbourne. While it is true that no one can ever suppress the talent or presence of bands like Pink Floyd, Black Sabbath or Led Zeppelin, that is not the point of tribute bands. Tribute bands, if anything, serve to remind us why these songs are timeless and still need to be played, even if it’s not by the person who wrote it.

-b. ponce

Facebook pages

Crazy Diamond’s Facebook

Physical Graffiti’s Facebook

Circle of Black’s Facebook

Good Apollo, Still Burning After Twelve Years

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Sunset Boulevard played host for Coheed and Cambria to preform their third album, Good Apollo, I’m Burning Star IV, Volume One: From Fear through the Eyes of Madness, in its entirety at the Hollywood Palladium Saturday night. The concert hall is just one stop on a tour to reinvigorate the passion felt for Coheed’s biggest selling record to date. Released in 2005, Good Apollo, I’m Burning Star IV, Volume One garnered them the most attention for their distinct mix of prog-rock, emo and post-hardcore. The album struck a great balance that dominated the ears of geeky emo kids of last decade, such as yours truly.

Twelve seems like an odd number to celebrate, but given that the band’s previous effort, The Color Before the Sun, was released in 2015, the timing was just unfortunate. Coheed and Cambria were intent on bringing this tour to fruition, regardless if it follows the ten year anniversary trend or not. This album was as significant to them as it was to fans like me, a blog writer with dreams of having an episodic saga of books that are as beloved as front-man Claudio Sanchez’s Amory Wars series. Having attended the ten year anniversary show for In Keeping Secrets of Silent Earth: 3 (missed the Second Stage Turbine Blade show, I was poor), I highly anticipated this performance as both records were significant to me at that age, and these kind of events are for celebrating the impact albums like these have on fans. Part of that celebration is a reflection of where we were when we first heard these albums. I was a bored teen writing poorly articulated album and show reviews on his Myspace blog. Now, its twelve years later and… well, it’s not Myspace anymore, at least.

Joining Coheed and Cambria on this tour is the Dear Hunter, who delivered a solid forty-five minutes of eclectic prog-rock that appropriately charged the crowd of anxious Coheed fans. Were I not so hyped for the main event, I could have gone for way more of The Dear Hunter. However, we could wait no longer.

Recounting the show, a lot of your typical concert annoyances were present, including: Guys over 6’ crowding the front, dudes getting heated over overzealous Moshers, drunk girls dancing sloppily into every asset of your personal space and, the Coup de grace, getting beer split all over me at the beginning of “Ten Speed”. Of all the concerts I’ve been too, you could argue this was one of my worst experiences, but none of that mattered once “Keeping the Blade” started.

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The visual presentation coinciding with the performance was particularly stunning for this evening, as is to be expected with a band like Coheed and Cambria. The image of a skull bleeding blackness from its eye sockets was one of the many reoccurring motifs that created a stark, surreal atmosphere that enhanced the fury that Claudio and crew were unleashing. Hearing tracks like “Welcome Home” and “Apollo I: The Writing Writer” along with this abstract, bleak imagery reminded me of hearing this album for the first time in 2005 and reading the graphic novel a year later (borrowed copy).

The Meta narrative of a writer becoming delusion and clashing with his own characters was a unique perspective that set Good Apollo apart from the narrative of its predecessors, and many other concept albums for that matter. Coupled with its graphic novel, Good Apollo, I’m Burning Star IV, Volume One was something special when it first came out and the energy felt in that ballroom on Saturday night meant that feeling was still there. Through many of their peers of that era have disbanded and moved on to other projects, Coheed and Cambria are still here and poised to remind you of what made them stand out to begin with.

-b. ponce

BTS of The Rezinators music video “Get Me Down”

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This past Easter Sunday, SoCal hip-hop group The Rezinators announced the release of their new music video and song “Get Me Down.”  I was fortunate enough to be invited to the making of the music video.

The music video was Produced by Apollo V and Directed by Cannanvision. It was a small cast and crew and definitely a group effort. Despite a few hiccups, the production went well. A plus was that no one was hit by a car during the production (see BTS video).  The song itself has kind of a Warren G feel to it. So if you’re a fan of Warren G, you’ll probably be a fan of The Rezinators too. I personally dig this song. Check out the BTS and full music video below.

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BTS Video

Full “Get Me Down” music video Produced by Apollo V and Directed by Cannanvision

To keep up to date about The Rezinators, please visit their Facebook page at https://www.facebook.com/theRezinators760

Follow our FaceBook page at https://www.facebook.com/ticket2ridepromotions

-Mo

Ghosts in Pocket, Banana Daiquiris, and the “Barberton” Mountains

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By Mark Simpson

Barberton is the name of a unique and small town located in South Africa. The town was a gold mining town in the 1800’s and is surrounded by some of the oldest exposed mountains in the world. This improbable town also provides the name for the newest album by local Inland Empire indie rock band Ghost in Pocket. “Barberton” is the five-track stroke of genius that, with the help of kick starter and their fans, Ghosts in Pocket gave birth to on October 9th, 2015.

” It was important to us that we try to make “Barberton” feel like progress, because that’s also what the songs strive to do musically and lyrically.” – Keith

The album was produced, mixed, and mastered with the help of up-and-comer John Kunkel, who is a Los Angeles Native who owns Division 87 Records and performs with the group New Division. With influences such as Burt Reynolds and Carrot Top laying heavy on the band’s mind, they could go into the studio and lay down what may be, in my opinion, the best sounding local album I have heard in the last 5 years. The first track on the album is the title track “Barberton” which has an amazing video that gives you a look at the band and the lengthy recording process that goes with releasing an album.

From bandannas, to Nick cutting a good rug, to empty Rolling Rock on the floor, you can get a sense of how much this album met to the group. As someone who has found myself in padded room for hours on end listening to the same song over and over, I can tell you that the studio process, though amazing, can be quite lengthy.

“I think I speak for the group in saying it took us a lot longer to finish this project than we would have hoped. I suppose it’s all a part of the learning process.” – Zach

The group’s song that is a personal favorite of mine is “Make it Break” which shows off Chris’ unique drumming style. As a fellow drummer, I love that the song consistently keeps it’s energy and drive while Keith sings moving lyrics that, by the end of the track, have us all saying “Lovers, Lovers, Lovers”. When asked about the track Keith gave us some interesting perspective on what makes it such a hit with fans:

“My music interest has always been guided by meaningful and intentional lyrics, regardless of genre or style, and so, especially with the EP, I wanted the songs to resonate with a theme. I think the song that does it best is “Make It Break,” which I also think is one of the more basic songs structurally.” – Keith

I pictured myself sitting with the group listening to “Make it Break” and sipping on a Banana Daiquiri a favorite of my main man Nick… you read that right, a Banana Daiquiri. As I listened, I couldn’t help but wonder about the group that got its start from playing a pancake dinner for elementary children. As Keith put it, the song has a mood to it that is quite hypnotic and, as you can see from the video, the song may have a darker meaning than one might expect.

As I listened to moving songs like “Separated by Ice” I got a feeling that this album is much darker than their first album Shadowbox. I could see where a bit of studio magic had happened on the track; originally the track was slated to be electric but at the last-minute John Kunkel asked Keith if he might try it with the acoustic. As Nick put it, he is forever grateful for John’s quick decision and went on to say that, to this day, the track still gives him chills.

“Keep the Heat Coming” may be something of a dark horse on the album as it fits in perfect with the album but, on it’s own, shows a much different side of the group. It is a song that shows the most pressing of steady, high energy and ends with Zach playing a very powerful solo while the group seems to explode in different directions that work together simultaneously.

The album comes to close with what may be their most powerful song to date, “Statues Pulse,” which features a cool assortment of horns courtesy of Zach’s good friend Sean Portanova. The band, who gets their name from the haunting work of Dave Eggers, really shows their strengths in this song as singer Keith lays down one of my favorite lyrical lines:

” There’s nothing to prescribe I’ll trade my nerves to help you feel alive.”

As I finished the album, I could see why the group has been so successful and able to open for groups like We are Scientists. It is, to me, the way that the group can write such moving music while staying objective about their art. The group is a tight-knit group who can be a lot of fun to hang out with. They are bit witty and comical, but when they take the stage, much like Shaq when he hits the court, they rise to the occasion. If you would like to see these guys rock the desert make sure to come out to their show at Frogee’s on April 14th. As a closing, for this album review Id like to leave you with some information on the group as well as Nick’s 3 things that will help you conquer the world. Cheers!

“First, chip clips are poor substitutes for nipple clamps. Second, a tri-tip should rest for at least 10 minutes after you pull it off the grill. And finally, if California marijuana farmers aren’t called “ganjapreneuers,” they should be.” – Nick

Buy an Album $5 right Here –> https://ghostsinpocket.bandcamp.com/album/barberton-ep

Website: https://www.ghostsinpocket.com/

Facebook: https://www.facebook.com/ticket2ridepromotions

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Catch their next show at Frogee’s Apple Valley with Rustic Wild and Heavy Door on Friday, April 14th 2017 at 8pm.

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Fooling Around At Frogees

This was a strange April Fools we had this year. I don’t know if I’m getting too jaded for pranks or it was just a mild day where the greatest trick pulled on me was expecting to be tricked. Either way, my day ended at Frogee’s Cocktail Bar. On this night, the Lillies had a special show with friends Atomik:Kangaroo and Lotus Eater. I didn’t know whether to expect an evening of mild to extreme pranks and jokes or just another night of drinking. With a White Russian in hand (courtesy of owner and bartender Joy), I was all set for what the evening had in store for me.

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I chatted with Matthew Humphrey and Roberto Pereda of The Lillies while the stage was being set. The group has a series of shows lined up for the summer, all leading up to an opening set for Blue Oyster Cult at The Rose in Pasadena on July 15th. The band is anxious and ready, leading to some foolish tendencies among its members.
“Robert, you left your car door wide open. I closed it for you,” Said Javi Banuelos, the most recent addition to the lineup after longtime drummer Mark Simpson stepped down in November.

“Oh,” Said Robert.

“You’re such a dumbass,” Matthew adds.

“You can keep that in the article.” Roberto said to me over the table while Lotus Eater finished warming up.

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Our first band of the night set a strong precedent for the rest of the evening. A three-piece alternative rock outfit incorporating synth, Lotus Eater’s blend of rock and sci-fi certainly left an impression on the packed bar. This showed is marked as the first live performance with their new drummer and songs like “John Wayne” and “Love is a Hologram” were big highlights from the set. If you’re looking for fresh talent in the high desert, Lotus Eater is the band to follow.


Following them were the hosts of the evening, The Lillies. Going on 9 year with playing their fusion of rock, blues and funk, The Lillies are still going strong with crowd favorites like “The Shake” and “Maria”. Little hiccups like the bass amp cutting out during a song did not deter the band from putting on a commanding performance. The band looks set to take on the rest of dates for the summer and hit The Rose with a vengeance.

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As the clock drew closer to midnight, the crowd dwindled while the final act took the stage. I must admit, with a name like Atomik:Kangaroo, I really didn’t know what to expect. The information I found on their Facebook page couldn’t be taken seriously (Advant Blues and the Weather Channel) and when they began donning luchador mask, I started to wonder what I had gotten myself into.

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The group does not follow the traditional formula of rock, instead creating a bass heavy blend of funk, rock and jazz that puts more emphasis on atmosphere. The sound combined with the mask created an almost avant-garde experience that made the show feel more like an event. The bizarre, yet intricate sound combined with the stage antics served as a fitting capstone to a day of fools and pranks.


During the set, two drunken women (mother and daughter) began whistling hysterically to the band, to other bar patrons, and even to each other. It was hard to tell if these were just two random drunk women or if they were a part of the performance. It was almost as if the band had summoned spirits to possess these women. Perhaps I was becoming possessed, too. What was happening at this bar on Highway 18? When one caught eyes with me, I knew for certain something was happening. She stumbled over to me, still whistling like a siren lost in the desert. Was I being invited to my death? Was I already dead? Was Atomik:Kangaroo the lounge band for this plane of limbo I found myself in?

“Let’s get this fucking party started,” She yelled in my face.

Alas, the only spirits that possessed us here came in a bottle. By the time the show had finished, April Fools had long ended, but the joy of pranksters and deception still permeated the bar at Frogees. The shenanigans of the holiday seemed subdued, as if we were taking a break from tricks, but we still allowed ourselves to be foolish for a little while.

-b. ponce

Twenty $ Dollar Prophets new music video “Shadows”

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On March 25th 2017, SoCal Urban Reggae band Twenty $ Dollar Prophets hosted an event at Gators in Apple Valley to announced the release of their new music video “Shadows.”

It was a packed venue with Epic! Radio in the house to MC the event. Supporting bands who performed were Dubious Distinction, The Lillies, Muppet Hunters, Dubsiders and The Rezinators. The sounds were a good mixture of Reggae, rock and rap. Patrons danced, mingled and chilled as they sipped their drinks while one of high desert’s favorite bartenders, Skylar, served up the drinks. It was a puff of a good time.

Here’s a video clip from that night:

The “Shadows” music video is a contrast between night and day.  The daytime and exterior of a building appears to representing a current, brighter situation, while the dark interior of the building along with the haunting characters appear to represent a haunting past of one that is lurking in the “Shadows.”

Watch the video below and let us know your thoughts!

Like the Twenty $ Dollar Profits Facebook page at https://www.facebook.com/TwentyDollarProphets

And keep updated on what’s happening at Gators Apple Valley at https://www.facebook.com/gators.applevalley

Check out Epic! Radio http://epicradio2.wixsite.com/epic-radio

 

-Mo

Delta Shade, Mojito’s, and A Hell of A Journey

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“Our biggest goal is really just to sound like ourselves. We don’t strive to imitate another band or artist because we don’t see the point in that – it’s already been done.”

By Mark Simpson

Delta Shade is a group that you might have seen rocking in the desert and thought man these guys are great but I wanted to know what makes these guys tick. Turns out that Delta shade is a group, that much like their name may suggest, enjoys listening to the blues.

“We have a deep appreciation for the blues and that was something we bonded over from the beginning.” – Travis

With the band sighting influences like Gary Clark Jr. and Gillian Welch you can tell that these are not guys who will be listening to alternative radio anytime soon. This is a group that is looking to go against the grain and after releasing their new album they have people as far as England wearing Delta Shade T-Shirts and bumping their new self title album. After packing out the religious rock and roll hangout and local watering hole conveniently named Frogee’s I wanted to know what the group thought about their big release show.

“We were so happy to see so many friends and family out there supporting us. It was such a good vibe all-around. Definitely a night we won’t forget.”

I think the one thing that I immediately liked and noticed about this group in my time hanging out with them at various shows is the fact that considering the groups talent they haven’t turned into that group that we all hate in the desert. We all know the type, its the group that shows up late and leaves early while all the while plays the longest set of the night. The group is slowly branching out of the desert with plans to do a short tour soon and currently has a gig scheduled in West Hollywood at the State Social House on Thursday March 30th . As an old Los Angeles Native I can tell you that this gig is one to attend as its just steps outside the famous clubs of the Sunset Strip and offers the coolest small room to groove to your favorite band.

With the group being only a few short miles from where the old Tower Records use to sit I wanted to know if these guys had their own turntable and if so what records they might be playing late after a gig while sipping a beer.

“ Rage Against The Machine’s self-titled. I love the riffs and attitude on that album – Andy

I found this to be interesting choice as it explains why Andy plays with the drums with a sense of urgency and as a drummer myself I love the choice of album. Chad on the other hand is someone who loves to sit down and trance out with one of the greatest song writers of our generation in Conor Oberst who is best known for fronting the talented group Bright Eyes.

As I learned more about each member in this interview I could see how each member had their own unique flavor. This was not three guys working in perfect motion as it may seem but instead three musicians pushing each other to bring out the best in each member. As I closed my interview with this uniquely interesting group and said my usual Cheers sipping on a Mojito (The Groups Favorite Drink) I wondered what the future may hold for this group. I can tell you I have no clue and I don’t think they do right now either but the great thing about uncertainty is that it makes for a hell of a journey. As a closing for this article Id like to leave you with some information on the group as well as their message for all that have support their amazing talents. Cheers!

“We’d like to thank all our family and friends for their support. It’s been a really fun ride so far and it’s been amazing to see the response to our music. It really fills us with gratitude to know and play shows with so many great people.”

Saying Good Bye is Never Easy, R.I.P. YellowCard

Yellow2

By Mark Simpson

On Saturday March 25th 2017 Yellowcard decided after 20 Years of playing the music they loved to retire the name Yellowcard once and for all. The group choose to do so at the House of Blues in Anaheim where Ryan Key stated that the groups first ever sold out show took place at the near by Chain Reaction in Anaheim. As Fans from all over the world lined up early in the morning to get as close to the stage as possible me and my wife made the trip to see the group one last time.

My wife Sara had been a fan for over 15 years and decided to dawn one of her oldest Yellowcard shirts as her memories with the group were so precious that she could barely grasp the idea that the group would never do another show again. When we arrived we decided to eat at the Cheesecake Factory where by complete luck we were seated directly in front of Ryan Key who was having his last meal of such before making his final sound check.

sarayello

As Ryan finished his meal he stood up stretched his arms into the sky and with a bit of nerves said to his dinning companion “Last sound check”. As a smirk went across his face me and my wife finished the last of our mojito and Daiquiri and headed to what would be known as maybe the most powerful performances to ever grace the House of Blues Anaheim.

The night was Started off by former Bass Player and fellow childhood friend of Ryan Key’s Sean O’ Donnell who played an awesome acoustic set that made many in the crowd nostalgic as they remembered how he helped the group putt together hits like “Hang you Up” when he was part of Yellowcard from 2010 to 2012.

Yellowcard started their set off on a clear mission to blow the roof of the House of Blues when they opened up with powerhouse song “Way Away” while continuing to not let up by following it with “For You, and Your Denial” and “Lights and Sounds”. The fans loved every moment and made sure to make the most of the moment by singing along threw out the whole set as if they were trying to help wheel Ryan and the rest of the group threw out their final Set. As the group rocked you could feel the floors rumble beneath your feet as parts of the ceiling fell like snow to the floor filled to capacity. Here is a clip to give you an idea:

There were so many moments that pulled at mine and others heart strings but seeing Sean Mackin do his back flip one more time and thank his mother for pushing him to keep playing the violin was my favorite moment. I once too played the Violin and personally could relate to his mother pushing him to stick with the instrument. Mackin who has been with the group since its start is a favorite of mine and as Yellowcard closed out their set with their final song “Ocean Avenue” you could see his daughter on the left of the stage dancing as she watched her dad rock the violin for the last time with his Rock and Roll group.

As the group made their final bow and waved to the crowd it felt as if it was an end of an era. The Pop- Punk groups of the 90’s are slowly disappearing but to me there will always be only one group who was able to connect at the highest level with their fans and make them feel like family. As I watched them leave the stage I looked at my wife who I married in October and smiled because at the end of the day your never ready to say good bye to those you love.

Thank you for the Memories Yellowcard!

marksarayello