Scream ’til You Feel Better: An Evening of Hardcore

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Stay Wild returned to Frogee’s Cocktail Bar this last Friday for an evening loaded with some of the best local Hardcore this scene has to offer. Hosted by Shrug City Sounds, Stay Wild along with Little Debbie and the Moonpies, Cel Damage and Post Nothing tore apart the stage with their brands of high quality hardcore. Each band played a devote passion for their craft and was invigorated by the crowd of equally passionate hardcore fans. Even small setbacks, such as Cel Damage having to play as a two piece with their guitarist dealing with an injury, did not deter the evening from being wildly fun.

Kicking off the evening was Little Debbie and the Moonpies, and it was a great start. The group brought their own entourage of air dancers and throw out MoonPies to the crowd during the set. It was a lighthearted juxtaposition to the group’s heavier brand of hardcore. The sound follows in the footstep of metalcore groups like Misery Signals, a comparison that singer and guitarist Arsenio Otero was very open about, “We take our influence strongly from Misery Signals… …they’re the band that took us from being a thrash metal band, you know, we were like hardcore stupid thrash metal, just annoying… …we heard them at the peak of our thrash metal and we we’re like, ‘that’s… that’s right’.”

Looking back on his roots, Otero has changed a lot in his direction of music. Coming from a background that includes influences like Metallica and Green Day, the birth of Little Debbie and Moonpies came actually as a resurrection of an old project Otero and friends had years ago, “We had our time in our first band, you know, it went its route. We got old, we got tired. On the drunken stupor of a friend who was supposed to be a part of Little Debbie, but ultimately didn’t, it was actually his drunken stupor that was like, ‘oh, we can do better than that. We can do- *hic*- we can do this’ and I was like, ‘I’m gonna hold you to that’. So like a week later, the four of us got together.” Though that friend did not tag along for the ride, Otero and company have kept the band rolling for three years and are looking to keep going strong.

Following Little Debbie and the Moonpies were Cel Damage, who actually joined Stay Wild at Thrasho De Mayo, another event hosted by Blaze (of Shrug City Sounds) that I also covered on this blog. At that event, Cel Damage were rolling as a four piece, but due to unforeseen circumstances, only Brothers Danny and Josh Mathews were able to perform. Guitarist Riley Tews’ presence was missed by his band mates, however.

“It’s a bummer that Riley couldn’t be here,” said Josh, “he just ripped open his finger today.”

“By pineapple” Danny added.

I did not ask any further questions.

The injury did not stop the brothers from putting on a show, having singer Danny Mathews trying his hand at guitar. The duo still managed to pull off their own brand of intense hardcore mixed with vocal modulations. When I asked about what the songwriting process was like for them, drummer Josh Mathews unveiled the hidden idiosyncrasies of their sound, “Usually our songs just go from like an idea. We don’t really sit down and be like ‘okay, this needs to be a verse, chorus, verse’. It’s like, ‘okay, this sounds cool. Woo, dude, you just did that? Do that again, like two times’ and that’s all of our songs.”

“Literally,” Danny said, “Every. Single. One.”

The set ended uniquely with Danny dismantling the drum set while Josh continued to play. He got all the way to just the snare, bass drum and hi-hat before Arsenio Otero of Little Debbie and Moonpies lifted Mathews out of the chair and carried him off the stage. Mathews continued to drum, regardless.

Following that act was Post Nothing, a group that has been active for six years now, but has only been preforming under their current name for the last three years. The original name of the group was Trap Her, Keep Her, but singer Jed Bookout gave me some insight on the name change and origin of the band, “We were all in a bunch of other bands… …and we wanted to start a hardcore band so we could play… so we could get into the hardcore shows we wanted to go to for free. True story. So actually we would tell people we wanted to open those shows just so that we could play those and we ended up getting to play with everybody.”

“It actually ended being, in some ways, more successful than any of our other bands,” he continued, “so we stopped kinda fucking around and we started writing more serious music… we got to a point where we started hearing what people were saying about our old band name… … it was coming off as… rapey, I guess, you could say. We heard it loud and clear and we decided the best thing to do to be a serious band is to change our name, so we became Post Nothing.”

The name change has not stopped the band’s output, which has a whole host of new material available under the new name such as 2016’s Misinformation and this year’s split with In Decline, all of which are available on bandcamp as well as the band’s older material under their old name. As for the direction moving forward, Jed feels the addition of drummer Matt Fullove has pushed the group further with their material, “we’re trying to be as experimental as possible while still kinda sticking to our roots. We listen now more to, I mean we always have, but throwing out more influences from bands like Every Time I Die, Poison the Well, like more metalcore type bands that we were into when we were younger then say the BraceWar and Terror-type stuff that we were writing before.”

Capping off the evening was Stay Wild, who have been keeping themselves busy with a two week tour across the west coast, a new video for The Killjoy Luck Club and an upcoming three week tour across the southern and eastern parts of the United States, but despite working hard to promote their material outside of the high desert, Stay Wild always remember their roots as bassist Jehiah Tonneson said, “every time we play here, it’s getting like- like I grew up here and just having that many friends almost made me cry, like singing along to my music. It almost made me cry.”

With an east coast tour coming up, things are looking bright for the hardcore trio. After their dates, they plan to write and record their first full length album for the remainder of the year and record next year, “so we leave on the 23rd,” said Tonneson, “and we’ll be gone til like the 18th or so and then we’re going to record pretty much all through the holiday season and then we’re hopefully gonna start recording January/February… … and hopefully have it out by April-ish.” I’m certainly looking forward to it.

I wish there was an edgier version of ‘delightful’, but that is really the only way I could describe the evening. Blaze and Shrug City Sounds put on a great show for all the hardcore fans of the high desert. Joy and her bar are turning into the bright spot of the high desert for bands looking to put on a good show and this show was no exception. I look forward to all the new material coming from these bands in the near future.

-b.d. ponce

All photos by Eduardo Degante (except where noted)

Shrug City Sounds on Facebook

Stay Wild on Facebook and Bandcamp

Cel Damage on Facebook and Bandcamp

Little Debbie and the MoonPies on Facebook

Post Nothing on Facebook and Bandcamp

Delta Shade by Delta Shade: A REVIEW

EDITORIAL NOTE: I’m losing the score system for a number of reasons. 1. I can’t find a system I’m happy with, 2. Scores are dumb and don’t really provide any kind of meaningful representation towards the quality of music and 3. It seems counter intuitive towards promoting life within the scene. I don’t want to discourage bands with bad scores (these are still developing performers after all) and I don’t want some band’s ego to inflate because they got a high score in some obscure local music blog. This is just my opinion; it means nothing.

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Artist: Delta Shade

Album: Delta Shade

Genre: Blues rock/Psychedelic rock

When I spoke to Chad Buchanan of Delta Shade last month, I learned a lot about the band’s background. Most notably, Chad and Drummer Andy Laich originally started out in punk rock, which is a stark contrast to Delta Shade’s self-titled debut. The shift in direction came with age and that certainly is the case on Delta Shade. The album is a mature throwback to the days of 70’s hard rock, but still maintains its own modern identity.

Right from the gate, “Dark Days” demonstrates the best qualities of Delta Shade. Having been practicing and performing together since the mid-nineties, Buchanan and Laich’s synergy is strong and provides an excellent rhythm section for Travis Prine, whose presence on the album rounds out the dynamic of the trio really well. The overall sound is a very straightforward approach to blues rock, which is refreshing.

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This energy keeps on rolling all through the first half of this album as “War is Over” and “Blue Sky Black” come packed with captivating blues riffs that break into bombastic choruses that really draw in the listener. The band does a really good job building their verses into really tight and powerful choruses. It’s not a mishmash of different elements piled together into one song, everything works well together.

This reaches its peak with “Valley of the Broken Hearted”, which builds on a high energy verse into a chorus that is easily the most fun to sing along on those lonely rides home, when you are absolutely certain no one is watching. I do it even if someone is watching. Dignity is overrated, and this song is one of the album highlights. It’s one of the shorter tracks, which is sensible given how clear the structure of the song is, so the band doesn’t drag it out too long. I like a catchy chorus as much as the next guy, but don’t kill me with it.

The album’s second half is more somber compared to the first half. “Hole in the Wall” still brings the energy we saw in the first half, but “Trouble” and “Call Me” slows the tempo down a little, especially on “Call Me”. It’s a pleasant change of pace that exhibits a wider range for the band. The album finishes strong with “Desire”, which oozes with pain and longing in the way it should, but manages to be powerful, ending the album on a very robust note.

In all, Delta Shade is great debut. It’s a tight record that keeps the listener engaged while also very satisfying to die hard blues rock fanatics. Given the current climate of high production pop music, it’s nice to sit back and chill to some straightforward, well-crafted blues rock.

-b.d. ponce

Buy the album here on bandcamp

Check out Delta Shade’s Facebook.

Check out the video for “Blue Sky Black”.

France, BLOW, and Bourbon

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By Mark Simpson

It’s not every day that you get to interview a group who primary speaks French and has a sound that will “BLOW” your mind. The Electro-Pop band “BLOW” is a relatively new band based in Paris who is yet to set foot in the United States. The French group has plans to come over soon with the help of their label DDM and, I’m predicting that many Americans will enjoy what I would call a dark, almost Depeche Mode like sound. The group is very appreciative about the attention they are getting from the United States and even went on to say:

“It’s a pleasure to see that American’s like our music.”

It has always amazed me that their are bands like “BLOW”, who with all their talent, are often found by an individual spending a night on YouTube. After seeing the french group perform on KEXP I was amazed by their sound, my favorite song being “The Devil Reminds Me”. The song is about a man fighting his compulsions to kill a young women, all the while dealing with with his own mental instability. Here is a video of the group performing the song on one of my favorite radio stations, KEXP.

It’s a bit of surprise to find out that Singer Quentin Guglielmi is influenced by many American greats like Jim Morrison and Bob Dylan, as well as paying tribute to fellow country men like Serge Gainsburg. As I listen to other songs like “You Killed Me on the Moon” I can see the similarities in the creative writing style of someone like Morrison. When asked about how Quentin goes about writing songs he replied:

“I write about scenes I see when I focus on the music I’m working on. It’s a kind of automatic writing. I don’t tell myself “I’m gonna write about politics, or about ecology”. Words come naturally, the music dictates it to me, sends me images.”
– Quentin Guglielmi

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When asked about the recording process and their luck with What I like to call, “Studio Magic”, the group pointed to tracks like “Zephyr” which was completely changed in the studio last minute to give the song a more favorable tempo and a memorable looping guitar.

When watching the group, I found it impossible not to enjoy the talent of their man who controls everything “Bass”, Thomas Clairice. Thomas is literally a man obsessed with low-frequency instruments and over the years has developed the talent to play the upright bass, cello, baritone sax, and the Moog Synth.

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As a band who enjoys every song they write, the group is focusing on writing some new material for their newest album which is set to be released within the upcoming months. The “I” EP is a personal favorite of mine, and I really enjoy the track “Call the Youth” as it has a guitar riffs that is eerie similar to something you would hear David Gilmour play in a Pink Fl0yd song.

As I wonder what it might be like to share a shot of “Bourbon”, the Bands favorite, I am reminded of the large pond that separates us from such amazing music. This as one of the more interesting articles I have gotten to do, and I hope that you all will take the time to like the groups pages. I appreciate the group’s time, and would love to see them perform in the States really soon. Sante!

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https://www.facebook.com/blowofficialbandpage

https://www.instagram.com/blow_band_/

BTS of The Rezinators music video “Get Me Down”

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This past Easter Sunday, SoCal hip-hop group The Rezinators announced the release of their new music video and song “Get Me Down.”  I was fortunate enough to be invited to the making of the music video.

The music video was Produced by Apollo V and Directed by Cannanvision. It was a small cast and crew and definitely a group effort. Despite a few hiccups, the production went well. A plus was that no one was hit by a car during the production (see BTS video).  The song itself has kind of a Warren G feel to it. So if you’re a fan of Warren G, you’ll probably be a fan of The Rezinators too. I personally dig this song. Check out the BTS and full music video below.

BTS Photos

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BTS Video

Full “Get Me Down” music video Produced by Apollo V and Directed by Cannanvision

To keep up to date about The Rezinators, please visit their Facebook page at https://www.facebook.com/theRezinators760

Follow our FaceBook page at https://www.facebook.com/ticket2ridepromotions

-Mo

Twenty $ Dollar Prophets new music video “Shadows”

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On March 25th 2017, SoCal Urban Reggae band Twenty $ Dollar Prophets hosted an event at Gators in Apple Valley to announced the release of their new music video “Shadows.”

It was a packed venue with Epic! Radio in the house to MC the event. Supporting bands who performed were Dubious Distinction, The Lillies, Muppet Hunters, Dubsiders and The Rezinators. The sounds were a good mixture of Reggae, rock and rap. Patrons danced, mingled and chilled as they sipped their drinks while one of high desert’s favorite bartenders, Skylar, served up the drinks. It was a puff of a good time.

Here’s a video clip from that night:

The “Shadows” music video is a contrast between night and day.  The daytime and exterior of a building appears to representing a current, brighter situation, while the dark interior of the building along with the haunting characters appear to represent a haunting past of one that is lurking in the “Shadows.”

Watch the video below and let us know your thoughts!

Like the Twenty $ Dollar Profits Facebook page at https://www.facebook.com/TwentyDollarProphets

And keep updated on what’s happening at Gators Apple Valley at https://www.facebook.com/gators.applevalley

Check out Epic! Radio http://epicradio2.wixsite.com/epic-radio

 

-Mo