livelearnlove by Stay Wild: A Review


Artist: Stay Wild

Album: livelearnlove

Genre: Punk/Hardcore

Score: 4/5

                I’m not going to lie; this review will seem a little biased, but that is mostly because I adore hardcore punk. I love anything related to hardcore: plain hardcore, post-hardcore, metalcore, ska core, emocore, nerdcore (also known as Nintendocore as I am learning of now), jazzcore, etc. Hell, you can attach “-core” to polka and I’ll be all over it. That being said, I’m making a conscious effort not to overpraise or undervalue Stay Wild’s EP livelearnlove. I want to be fair while also not seeming like I’m just jerking off a band that melted my face off at ‘Thrasho de Mayo’ (I wrote a review of that show, check it out here

That disclaimer aside, the production on livelearnlove is crisp. Recorded at Buzzbombs Studios in Anaheim and running in at just under twenty minutes, Stay Wild delivers some of the most passionate,  intense hardcore that I’ve heard come out of the high desert in a long time. Released on June 24th of last year, I’m actually eleven months behind the curb on this one, but I hope there is shred of forgiveness as this blog is only three months old (better late than never).

livelearnlove is Stay Wild’s third EP and maintains the same level of ferocity as their two previous EPs, Pacemaker and the self-titled Stay Wild EP. Drummer David Fajardo gives a solid, commanding performance while bassist Jehiah Tonneson and guitarist Nick Riggs share the vocal duties with Riggs taking the bulk of the work. Together, the duo produces a combination of screaming, singing and near- spoken word performances that go from somber to chaotic in just seconds. Tracks like “Iconoclast” and “The Killjoy Luck Club” come packed with tons of energy, while the final track, “Blossom”, eases up on the tempo, but not the passion.

Lyrically, Stay Wild is not shy about their left-wing values and incorporates these themes heavily into their music. “Trigger Warning” serves as a great response to the criticism and stigmatizing of standing up against social issues. Terms like “Social Justice Warrior” and “Feminist” carry a negative weight in our current culture and Stay Wild tries to tries to knock this out by loudly proclaiming “I can’t just pretend it doesn’t happen”.

Given the current political climate, Stay Wild’s brand of hardcore is a perfect blend of the fury and emotion that helps combat any anger still permeating over the current presidential administration. After all, catharsis is a strong component in art and the making of art and punk rock, in general, has always served as a great platform for political anger. Stay Wild’s livelearnlove is a reflection of both rage and compassion that, I hope, serves as a great precursor of what to expect from emerging hardcore acts over the next few years, both in the High Desert and the rest of the country.

-b. ponce

Purchase livelearnlove and Stay Wild’s other music here

Stay Wild’s Facebook

Stay Wild’s Soundcloud


France, BLOW, and Bourbon


By Mark Simpson

It’s not every day that you get to interview a group who primary speaks French and has a sound that will “BLOW” your mind. The Electro-Pop band “BLOW” is a relatively new band based in Paris who is yet to set foot in the United States. The French group has plans to come over soon with the help of their label DDM and, I’m predicting that many Americans will enjoy what I would call a dark, almost Depeche Mode like sound. The group is very appreciative about the attention they are getting from the United States and even went on to say:

“It’s a pleasure to see that American’s like our music.”

It has always amazed me that their are bands like “BLOW”, who with all their talent, are often found by an individual spending a night on YouTube. After seeing the french group perform on KEXP I was amazed by their sound, my favorite song being “The Devil Reminds Me”. The song is about a man fighting his compulsions to kill a young women, all the while dealing with with his own mental instability. Here is a video of the group performing the song on one of my favorite radio stations, KEXP.

It’s a bit of surprise to find out that Singer Quentin Guglielmi is influenced by many American greats like Jim Morrison and Bob Dylan, as well as paying tribute to fellow country men like Serge Gainsburg. As I listen to other songs like “You Killed Me on the Moon” I can see the similarities in the creative writing style of someone like Morrison. When asked about how Quentin goes about writing songs he replied:

“I write about scenes I see when I focus on the music I’m working on. It’s a kind of automatic writing. I don’t tell myself “I’m gonna write about politics, or about ecology”. Words come naturally, the music dictates it to me, sends me images.”
– Quentin Guglielmi


When asked about the recording process and their luck with What I like to call, “Studio Magic”, the group pointed to tracks like “Zephyr” which was completely changed in the studio last minute to give the song a more favorable tempo and a memorable looping guitar.

When watching the group, I found it impossible not to enjoy the talent of their man who controls everything “Bass”, Thomas Clairice. Thomas is literally a man obsessed with low-frequency instruments and over the years has developed the talent to play the upright bass, cello, baritone sax, and the Moog Synth.


As a band who enjoys every song they write, the group is focusing on writing some new material for their newest album which is set to be released within the upcoming months. The “I” EP is a personal favorite of mine, and I really enjoy the track “Call the Youth” as it has a guitar riffs that is eerie similar to something you would hear David Gilmour play in a Pink Fl0yd song.

As I wonder what it might be like to share a shot of “Bourbon”, the Bands favorite, I am reminded of the large pond that separates us from such amazing music. This as one of the more interesting articles I have gotten to do, and I hope that you all will take the time to like the groups pages. I appreciate the group’s time, and would love to see them perform in the States really soon. Sante!


Tacos and Thrash


A common misconception about Cinco de Mayo is that its Mexico’s Independence Day. It’s actually the celebration of the Battle of Pueblo, where an outnumbered and outgunned Mexican Army fended off invading French forces on May 5, 1862. I read all about it on my phone (at least I admit to my own ignorance) while I sat in Frogee’s Cocktail Bar on Highway 18 and wondered how Thrasho de Mayo, an event hosted by Blaze featuring some of the sickest hardcore acts from all over the desert, could relate to this. The only conclusions I could draw were fraught with cultural appropriation and Americanization, until finally I had to listen to the voice in the back of my head that screamed, “QUIT OVERTHINKING IT, EAT YOUR TACOS AND ENJOY THE GODDAMN SHOW”.

Our first band of the evening, Dead Rekoning, was a first-rate start to the show. Armed with tracks like the self-titled “Dead Rekoning” (available here on their soundcloud) and “Fire in the Sky”, Dead Rekoning’s blend of punk and metal made for a solid opening to an evening promising to get faster and heavier. I managed to catch up with singer/bassist Anthony G and drummer Danny Vega after the show and reminisced with Vega over a show I saw at a mutual friend’s house back in his Against Faction days, where he was a high school senior at the start of his drumming career and I was a naive sophomore tripping over my own two feet after one beer.


Left to Right: Danny Vega, Anthony G and Angel G


Derek McEntire and Anthony G

Next in line were In Decline, a band that bolsters some killer screaming vocals from singer Charlie Warr (Yes, that is his real name) and a great mix of hardcore and metal akin to bands like Cancer Bats and This Is Hell. My only complaint, and the same complaint can apply to Dead Rekoning, was the briefness of the sets. Granted, organizing an event and getting it to run on schedule is no easy feat and when things go smoothly, it should be a good thing, but I really did want to hear more from Dead Rekoning and In Decline. These were two really strong local acts and I can’t wait to see more of them.


Left to Right: Joe Small, Brennan Mann and Charlie Warr


Left to Right: David Fajardo, Charlie Warr and Brennan Mann

David Fajardo, drummer of In Decline, stuck around to perform with his other band, Stay Wild. Joined by Nick Riggs and Jehiah Tonnesen, Stay Wild lived up to their namesake, delivering intense hardcore charged with political topics ranging from the current presidential administration to sexual assault (both of which go hand in hand). I caught a few words with Tonneson after the set. The band is getting ready to take off on the 18th of May for a two week west coast tour, which has the boys at Stay Wild anxious. With their new E.P. titled “livelovelearn”, Stay Wild look like their ready to hit those tour dates with the same vigor they brought to Frogee’s stage.


Left to Right: Nick Riggs, David Fajardo, and Jehiah Tonnesen


Left to Right: Nick Riggs and Jehiah Tonneson

During Stay Wild’s set, we had a couple of guest vocalists hop on the stage. These were brothers Josh and Danny Mathews of the next group, Cel Damage. Cel Damage was a bit of a departure from the type of hardcore we saw prior in the evening with a more experimental approach. They take on a very Locust-esque approach to songwriting, using a vocal effects pedal to build atmosphere with singer Danny Mathews grunts and screams before breaking it with pure immaculate fury. Not even broken guitar strings could deter this band from playing the set THEY wanted to play.

Now, let me take a minute to tell that I’ve heard a lot of band names over the years. Some pretty cool, some really lame and others just confusing. A band name is important because it’s the first thing you hear when you ask, “Who’s playing?” and a weak name can make or break a band. So, when I heard “Thrashquatch”, I knew right away that was something I had to see. A name like “Thrashquatch” caused me to envision Bigfoot, wearing a Suicidal Tendencies t-shirt, rampaging through a camp site, stepping on tents and knocking over coolers looking for beer. This would be his favorite band.

Of course, with a name like Thrashquatch, the music had better deliver and it did. With influences ranging from Slayer to Municipal Waste, Thrashquatch is music for thrashers by thrashers. Guitarist Jacob Crozier and Gio Trujillo shared the soloing duties, taking turns shredding while Don Barber hyped up the crowd with songs about Yeti’s, booze and moshing. The frantic energy put forth by the band was a perfect capstone to an event such as Thrasho de Mayo.



Links to the facebooks/bandcamps for all the bands are posted below. If you’re someone starved for some strong local hardcore, I highly recommend each one of these bands.

Blaze (Host)

Dead Rekoning’s Facebook and Soundcloud

In Decline’s Facebook and Bandcamp

Stay Wild’s Facebook and Bandcamp

Cel Damage’s Facebook and Bandcamp

Thrashquatch’s Facebook and Bandcamp